Friday, November 28, 2008
fox knows the way
fox knows the way
medium: mixed media - a combination of airbrush and conventionally applied acrylics
paints: golden airbrush colors
airbrush: harder & steenbeck "infinity 2-in-1"
dimensions: 16 inch x 20 inch (40,6 cm x 50,8 cm)
support: handmade textured panel
copyright © 2008 j. w. baker / wolf song studio
persoenlich erstellter text von j. w. baker am 29.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers j. w. baker
j. w. baker jwbart.com und jwbaker.wolfsongstudio.com
Tuesday, November 25, 2008
Monday, November 24, 2008
Labels:
acrylic,
adults,
children,
drawing,
painting,
pastel,
shuster studio,
students,
wendy shuster
Wednesday, November 19, 2008
nicole
nicole
70 cm x 90 cm
acryl auf holz
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers salvatore devito am 20.11.2008
salvatore devito devito.net
montagna
montagna
70 cm x 140 cm
acryl auf leinwand
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers salvatore devito am 20.11.2008
salvatore devito devito.net
oltre - all
oltre - all
oltre - all means that the eyes of a person go beyond everything
support: canvas 120 cm x 100 cm
color: hansa pro color
airbrush: paasche v#1 e v1 #3
technical: freehand
persoenlich erstellter text von arianna fugazza am 19.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis der kuenstlerin arianna fugazza
arianna fugazza ariart.it
Tuesday, November 18, 2008
Students' thoughts on study with Shuster:
1. "As a teacher of dance at a liberal arts college for over thirty years, I have a high regard for the value of teaching the arts to students of all levels. I have studied, in several different occasions over the years, drawing and painting with Wendy Shuster. She is one of the best teachers it has been my privilege to study with. Great teachers, in my opinion, work equally well with professional-level students and with newcomers to the field. They treat their students with respect and consideration, while demanding of them hard work and discipline. They are able to blend professional expectations with their passion for the the arts in a unique and exciting way. They know when to step in, when to leave the student alone, and what kind of mix of criticism and support will be appropriate with each student. Wendy is one of those teachers. I recommend her highly to teach drawing and painting in any setting--teenagers, adults, beginners, intermediate or advanced level. She is, without a doubt, a master teacher."
2. "Wendy’s approach to teaching is unique, eye opening, simultaneously multi-layered. Wendy’s teachings make it possible to develop as an artist. I have learned to recognize and interact with a world of visual relationships far more fascinating and complex than anything I could name or invent. The visible is astonishing! The elements of design appear before me like a series of clues promising to unlock and reveal the structure of the universe, not unlike an equation to a mathematician or a law of physics to a physicist. The opportunity to “see” becomes available in other aspects of life; Life and Art become one."
3. "It has been my pleasure to be instructed by Wendy drawing in charcoal or should I say in 'seeing in charcoal'. What Wendy teaches is seeing and I use this in my life everyday to look beyond what are the 'optical delusions' of life that keep us from seeing what is clearly in front of us."
2. "Wendy’s approach to teaching is unique, eye opening, simultaneously multi-layered. Wendy’s teachings make it possible to develop as an artist. I have learned to recognize and interact with a world of visual relationships far more fascinating and complex than anything I could name or invent. The visible is astonishing! The elements of design appear before me like a series of clues promising to unlock and reveal the structure of the universe, not unlike an equation to a mathematician or a law of physics to a physicist. The opportunity to “see” becomes available in other aspects of life; Life and Art become one."
3. "It has been my pleasure to be instructed by Wendy drawing in charcoal or should I say in 'seeing in charcoal'. What Wendy teaches is seeing and I use this in my life everyday to look beyond what are the 'optical delusions' of life that keep us from seeing what is clearly in front of us."
4. "Wendy is exciting to work with because with each class or workshop she truly does lead you to a different way of seeing. She engages you with a variety of possible approaches to your subject whether you’re drawing or painting. Then she works with you individually to stretch your process and further your artistic development. She creates a supportive classroom atmosphere that’s conducive to in-depth work and experimentation. She’s an enormously talented artist/teacher."
5. "Working with Wendy Shuster has been a gift. The mind is a powerful thing, sometimes the way we think can create a filter over our conception of the world around us. Wendy has a gift when it comes to aiding others in shifting these mental boundaries. The process she shares opens up the possibility of seeing the world clearly, in detail, as it is.. and for me, in a much more colorful way! I can not express fully enough what a joy the heightening of my sensitivity to color has been (and still is). Overall my time in Wendy's studio has been a delightful, fascinating experience. I am so grateful I have had the opportunity to work with her."
"No eyes that have ever seen beauty lose their sight." Jean Toomer
Portraits by commission
go to bottom of this link: images of Shuster's work to see another image of a portrait/head in charcoal.
upon request, i will be happy to share more images.
i work directly from the person. this creates the finest, most lively result.
please call or write with any questions or to commission a drawing.
shusterstudio@yahoo.com
518-567-1332
Monday, November 17, 2008
jars
jars
airbrush: paasche vjr
on a 700 mm x 500 mm aluminium panel
rm automotive colors
the subject is a photo i´ve shooted to search a glass against the light effect and with out of focus effect in first plan. i like to render metal and glass objects.
persoenlich erstellter text von frank fk am 18.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers frank fk
frank fk frankfk.it
Saturday, November 15, 2008
harley davidson
harley davidson
malgrund: weiss lackierte plexiglasscheibe
groesse: 100 cm x 76 cm
farbe: schwarz
verduennung: destilliertes wasser
pistole: rotring airbrush - duese 0,2
vorbereitung der plexiglasscheibe:
anschleifen der zu lackierenden oberflaeche
mit 800er - 1000er schleifpapier (nass).
auftrag der weissen lackschicht direkt auf die geschliffene plexiglasscheibe.
nach dem trocknen anschleifen der lackflaeche mit 12ooer schleifpapier (nass).
reinigen der geschliffenen oberflaeche mit silikonentferner.
als vorlage diente ein zweiseitiges farbposter aus einer motorradzeitschrift. dieses wurde fotografiert (dia) und mit einem diaprojektor auf die plexiglasscheibe geworfen. nach genauem ausrichten wurden alle konturen der einzelnen motorradteile mit einem buntstift genau nachgezeichnet.
das komplette nachzeichnen muss in einem arbeitsgang geschehen, da ein erneutes ausrichten des projektors zur plexiglasscheibe, zu einem spaeteren zeitpunkt kaum mehr 100%ig moeglich ist.
das komplette nachzeichnen muss in einem arbeitsgang geschehen, da ein erneutes ausrichten des projektors zur plexiglasscheibe, zu einem spaeteren zeitpunkt kaum mehr 100%ig moeglich ist.
die ausarbeitung wurde freihand mit nur einer farbe realisiert. die glanzlichter entstanden mit hilfe eines radierers. es wurden immer einzelne bereiche komplett ausgearbeitet.
dieses bild ist aus reiner lust zum malen entstanden. der hintergedanke war die herausforderung nur mit schwarzer farbe fotorealistisch zu malen.
persoenlich erstellter text von juergen grabowsky
am 15.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers juergen grabowsky
juergen grabowsky airbrushcommunity.com
Friday, November 14, 2008
zippo
zippo
spruehdose - airbrush - mix
100 cm x 80 cm
molotow premium farben
als pionier der spruehdosen - airbrush - mixtechnik bevorzuge ich eine arbeitsweise mit deckenden und farbintensiven spruehdosenlacken auf allen untergruenden. meine leidenschaft ist das malen von farbenfrohen tier- und pflanzenmotiven. die natur ist ein unerschoepflicher spender von energie und stimmung. mit meinen bildern halte ich einen faszinierenden teil ihrer schoenheit fest.
persoenlich erstellter text von lars oschatz am 15.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis von lars oschatz
lars oschatz laurus-art.de
motorcycle gastank
motorcycle gastank
airbrushed with etac private stock
and etac efx 500 water-based paints
liquitex and fw inks
mostly all freehand airbrushing with iwata hp-ch
and iwata custom micron cmc+
motorcycle gastank
persoenlich erstellter text von beej curtis am 15.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers beej curtis
beej curtis organicimage com und organicimage.blogspot.com
no title
no title
airbrushed with etac private stock
and etac efx 500 water-based paints
liquitex and fw inks
mostly all freehand airbrushing with iwata hp-ch
and iwata custom micron cmc+
persoenlich erstellter text von beej curtis am 15.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers beej curtis
beej curtis organicimage com und organicimage.blogspot.com
yuki
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Labels:
acrylics on board,
akt,
board,
posts lorenzo di mauro
Tuesday, November 11, 2008
salvador dali bus
salvador dali bus
airbrushed using auto base paints
and finished in 2 k lacquer
all freehand airbrushing
no masking
it took approx 8 days
bus used as an advert for an it company
persoenlich erstellter text von chris gadd am 12.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers chris gadd
chris gadd airbrushedart.co.uk
reflections
reflections
painted using acrylics and base paints
on a airbrush board surface 1,3 m x 6 m
one of three pieces for a surf cult exhibition.
... and is of my favorite subjects - hot women and waves.
i used to surf all over europe when i had time.
persoenlich erstellter text von chris gadd am 12.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers chris gadd
chris gadd airbrushedart.co.uk
Labels:
acrylics,
airbrush board,
base paint,
posts chris gadd
part of a waltzer fairground ride
part of a waltzer fairground ride
the piece shown is is approx 2,3 m x 3,5 m
the whole ride consists of about 30 panels
the artwork is airbrushed onto fibreglass
using etching primers and auto paint base coats
finished in 2 k lacquer
the whole thing took approx 5 weeks to complete
the original idea was a collaboration between the client and myself.
persoenlich erstellter text von chris gadd am 12.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers chris gadd
chris gadd airbrushedart.co.uk
hey big spender
hey big spender
24 inches x 18 inches (61 cm x 45 cm)
airbrush
acrylic
watercolor pencil and colored pencil
on cold-press illustration board
the idea for this painting came to mind because i like to listen to music while i work. i listen to a wide variety, but while painting, i really like vocal jazz music like frank sinatra, peggy lee and dean martin. i wanted to capture the spirit of this kind of music, with the chrome microphone, the black dress and long dark hair.
persoenlich erstellter text von steve baier am 12.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers steve baier
steve baier scbartworks.com
flow my tears the policeman said
flow my tears the policeman said
painted in acrylics
40 cm x 54 cm
painted on crescent hi-line line board
combination of schmincke aerocolor, liquitex freeflow and tube colors
much of my work is now produced on computer which i have found offers flexibility that airbrushed paintings by there nature cannot and in today´s working world, art directors want lots of changes but i am still producing images in paint for my own amusement. i attach a painting i did quite a few years ago. i chose it because it has a narrative and a tension between the characters which is not always possible to show in book covers. it was for the book by philip k. dick and the title is -flow my tears the policeman said-.
persoenlich erstellter text von chris moore am 11.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers chris moore
chris moore chrismooreillustration.co.uk
Monday, November 10, 2008
krystal 3
krystal 3
24" x 30"
acrylic on canvas
i use paasche vl 3 airbrushes
and regular brushes for my paintings
my prefer paints are liquitex acrylics
2003
krystal is a friend for many years
persoenlich erstellter text von william lazos am 11.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers william lazos
william lazos williamlazos.com
Labels:
canvas,
liquitex,
paasche vl 3,
posts william lazos,
regular brushes
krystal 2
krystal 2
30" x 30"
acrylic on canvas
i use paasche vl 3 airbrushes
and regular brushes for my paintings
my prefer paints are liquitex acrylics
2003
krystal is a friend for many years
persoenlich erstellter text von william lazos am 11.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers william lozas
william lozas williamlozas.com
Labels:
canvas,
liquitex,
paasche vl 3,
posts william lazos,
regular brushes
krystal 1
krystal 1
24" x 30"
acrylic on canvas
i use paasche vl 3 airbrushes
and regular brushes for my paintings
my prefer paints are liquitex acrylics
2002
krystal is a friend for many years
persoenlich erstellter text von william lazos am 11.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers william lazos
william lazos williamlazos.com
Labels:
canvas,
liquitex,
paasche vl 3,
posts william lazos,
regular brushes
rainbow
rainbow
78" x 96"
acrylic on canvas
i use paasche vl 3 airbrushes
and regular brushes for my paintings
my prefer paints are liquitex acrylics
1989
rainbow is my largest canadian exhibiton painting
persoenlich erstellter text von william lazos am 11.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers william lazos
william lazos williamlazos.com
Labels:
canvas,
liquitex,
paasche vl 3,
posts william lazos,
regular brushes
hostess
hostess
62" x 82"
acrylic on canvas
i use paasche vl 3 airbrushes
and regular brushes for my paintings
my prefer paints are liquitex acrylics
1990
hostess is another still life but from the supermarket, one of my favourites
persoenlich erstellter text von william lazos am 11.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers william lazos
william lazos williamlazos.com
Labels:
canvas,
liquitex,
paasche vl 3,
posts william lazos,
regular brushes
sabrina 2
sabrina 2
60" x 60"
acrylic on canvas
i use paasche vl 3 airbrushes
and regular brushes for my paintings
my prefer paints are liquitex acrylics
1997
sabrina 2 is my favorite portrait. it took 2 months to paint.
persoenlich erstellter text von william lazos am 11.11.2008
bild und text mit freundlicher und persoenlicher erlaubnis des kuenstlers william lazos
william lazos williamlazos.com
Labels:
canvas,
liquitex,
paasche vl 3,
posts william lazos,
regular brushes
licorice jar
licorice jar
48" x 60"
acrylic on canvas
i use paasche vl 3 airbrushes
and regular brushes for my paintings
my prefer paints are liquitex acrylics
1985
licorice jar was one of my first airbrush paintings and still lives
persoenlich erstellter text von william lazos am 11.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers william lazos
william lazos williamlazos.com
Labels:
canvas,
liquitex,
paasche vl 3,
posts william lazos,
regular brushes
coors light
coors light
40' x 80'
duncan & richmond
2006
coors light was a big mural and required about one an a half month to paint
persoenlich erstellter text von william lazos am 11.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers william lazos
william lazos williamlazos.com
snoop d-o- double g
snoop d-o- double g
bild mit persoenlicher und freundlicher erlaubnis des kuenstlers deandre am 11.11.2008
deandre airballin.com
aaahhhhhh
gene simmons - kiss
bild mit persoenlicher und freundlicher erlaubnis des kuenstlers deandre am 11.11.2008
deandre airballin.com
Sunday, November 9, 2008
giraffe
giraffe
untergrund: airbrushkarton ca. 65 cm x 45 cm
pistole: gabbert prs 25 s
farben: schmincke aerocolor und faber castell polychromos buntstifte
das bild entstand nach einem foto, das ich im zoo leipzig gemacht habe. es war ein geburtstagsgeschenk an meine nichte, die ein absoluter "giraffen-fan" ist.
persoenlich erstellter text von michael jaenicke am 10.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers michael jaenicke
michael jaenicke airartmikel.deviantart.com
Saturday, November 8, 2008
knights
knights
airbrushed with etac private stock
and etac efx 500 water-based paints
liquitex and fw inks
mostly all freehand airbrushing with iwata hp-ch
and iwata custom micron cmc+
motorcycle gastank
persoenlich erstellter text von beej curtis am 09.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers beej curtis
beej curtis organicimage com und organicimage.blogspot.com
Friday, November 7, 2008
blue cloak
blue cloak - copyright white wolf
corel painter
wacom intuos III
digital: 12 x 19
300 dpi
originally painted for white wolf´s bloodlines III product, i modified the primary character and eliminated two background characters in order to make this image of a modern urban gothic heroine. i use 95% or more corel painter 9.5 for my digital work, on a mac dual 2.3 ghz power pc g5, with an intuos III 9 x 12 wacom tablet and stylus. while i always enjoy painting a beautiful woman, i especially enjoyed creating the dappled light effect for this.
persoenlich erstellter text von todd lockwood am 08.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers todd lockwood
todd lockwood toddlockwood.com
miles davis
portrait of miles davis - 2005
iwata eclipse and iwata custom micron
medea com-art acrylic airbrush colours
3 ft x 3 ft
on boxed ir 4 fine irish linen canvas
i do not use masks at all preffering to work free hand. it gives a realistic look to the paintings and more soul.
persoenlich erstellter text von giorgio uccellini am 08.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers giorgio uccellini
giorgio uccellini giorgio-art.co.uk
willy nelson
portrait of country singer willy nelson - 2005
iwata eclipse and iwata custom micron
medea com-art acrylic airbrush colours
airbrush on 300 gr art paper hot press
24 in x 30 in
i do not use masks at all preffering to work free hand. it gives a realistic look to the paintings and more soul.
persoenlich erstellter text von giorgio uccellini am 08.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers giorgio uccellini
giorgio uccellini giorgio-art.co.uk
bob marley
bob marley - 2007
iwata eclipse and iwata custom micron
medea com-art acrylic airbrush colours
i do not use masks at all preffering to work free hand. it gives a realistic look to the paintings and more soul.
persoenlich erstellter text von giorgio uccellini am 08.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers giorgio uccellini
giorgio uccellini giorgio-art.co.uk
airbrush on aluminium panel
airbrush on aluminium panel - 2008
iwata eclipse and iwata custom micron
medea com-art acrylic airbrush colours
i do not use masks at all preffering to work free hand. it gives a realistic look to the paintings and more soul.
persoenlich erstellter text von giorgio uccellini am 08.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers giorgio uccellini
giorgio uccellini giorgio-art.co.uk
Thursday, November 6, 2008
classic dc - 3
classic dc - 3
this art is 16" x 22"
and was illustrated on blank photographic paper
using an efbe model "a" airbrush
the medium is schmincke, aerocolor
this image was created to be used as a collectable promotional poster for a special airshow that was to occur in conjunction with the worlds fair in vancouver bc canada. the airshow brought together over 100 surviving dc - 3 aircraft from all over the world. this was the aircraft the first made commercial air travel possible. there are many still in operation worldwide today. in the end, the client ran out of money and the art was never printed.
the art director, who commissioned this painting is an enthusiastic amateur pilot. although the art is stylized, he insisted that all aspects of the image were to be technically accurate. this included all the rivets. each had to appear to be countersunk in the sheet metal.
the art director, who commissioned this painting is an enthusiastic amateur pilot. although the art is stylized, he insisted that all aspects of the image were to be technically accurate. this included all the rivets. each had to appear to be countersunk in the sheet metal.
persoenlich erstellter text von mark heine am 07.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers mark heine
mark heine mheine.com
custom motorcycle art
custom motorcycle art
iwata series airbrushed
motorcycle gastank
urethane automotive paints and clearcoat
custom motorcycle art, flames and graphics as well as automotive murals
persoenlich erstellter text von frank hazen am 07.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers frank hazen
frank hazen airbrushfrankhazen.com
jesus
jesus
iwata airbrush
createx colors
illustration board
painting of jesus on illustration board as well as custom portrait t-shirts and leather jackets
persoenlich erstellter text von frank hazen am 07.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers frank hazen
frank hazen airbrushfrankhazen.com
Labels:
createx,
illustration board,
iwata,
posts frank hazen
custom motorcycle art
custom motorcycle art
iwata series airbrushed
motorcycle gastank
urethane automotive paints and clearcoat
harley paint
custom motorcycle art, flames and graphics as well as automotive murals
persoenlich erstellter text von frank hazen am 07.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers frank hazen
frank hazen airbrushfrankhazen.com
Tuesday, November 4, 2008
rhiannon
rhiannon
15 inches x 20 inches
painted on illustration board
airbrush: iwata eclipse
colors: holbein and comart
prismacolor pencils
the model is jessamyne from australia, with photo reference taken by dale jordan. jewelry is actual jewelry made by phyll smith at eyescreamjewelry.com. the inspiration comes from the character in the fleetwood mac song rhiannon. the scene and background were made to have a feel of whitby abbey, which was also inspiration for bram stoker´s novel dracula. the wolf is there to give you the suggestion that she is not as innocent as she looks. i used layers of transparent paint built up from light to dark and used liquid frisket to add texture, movement, and brushstroke to the background. details and jewelry were painted with conventional brush. all things combined make a very mysterious painting.
making of des bilder
mit dem titel -destroyer- von michael calandra
in der art scene international ausgabe nummer 78
persoenlich erstellter text von michael calandra am 04.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers michael calandra
michael calandra calandrastudio.com
the sparrow on the stone and water
the sparrow on the stone and water
on aluminium plate 35 cm x 50 cm
airbrush: paasche vjr
glasurit 54
this photo is also mine and i made this by my telephoto lens.
persoenlich erstellter text von alberto ponno am 04.11.2008
bild und text mit persoenlicher und freundlicher erlaubnis des kuenstlers alberto ponno
alberto ponno albertoponno.com
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